Past Programs at the PRC


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2012 Master Lecture Series

Vicki Goldberg: American Women Photographers
Wednesday, February 22, 2012, 6:30 pm
BU Sargent College, Room 101
635 Commonwealth Avenue, Boston

$10 General Public | $5 Members and Students (must present valid membership card or student id)
No charge for members of BU community and students of PRC member institutions >>

Nan Goldin, Nan one month after being battered, 1984.

Vicki Goldberg, one of the leading voices in the field of photography criticism, will discuss how and why American women photographers, most prominently Cindy Sherman and Nan Goldin, came to the attention of the photography world in the late 1970s and early 1980s after lurking on the fringes for a long time. She will also examine the way the principle concerns of that first crop of important women artists, including the entire appropriation movement, have persisted to the present day and continue to influence photographers.

"One of photography's most revered and beloved critics, Goldberg examines both the history of photography and our current state of affairs with curiosity, wit, and cutting insight." - Photo Eye

Vicki Goldberg has published six books and written introductions to more than twenty monographs and catalogues as well as writing about photography for the New York Times for thirteen years.  Her books, The Power of Photography: How Photographs Changed Our Lives and Margaret Bourke-White: A Biography, were each named one of the best books of the year by the American Library Association; the anthology she edited, Photography in Print: Writings from 1816 to the Present, was cited in The Wall Street Journal in 2006 as one of the five best of all books on photography. She has received numerous awards for writing, including the International Center of Photography's Infinity Award, the Royal Society's Dudley Johnston Award, and the Long Chen Cup (China).  She lectures internationally and writes on photography for various magazines.

View the Flickr set >>

Why Global Health Matters
Wednesday, March 7, 2012, 6:00 pm
BU George Sherman Union Conference Auditorium
775 Commonwealth Ave, Boston
Panelists: Jennifer Beard, PhD, MPH (BU School of Public Health); Dominic Chavez, featured photographer; Jonathan D. Quick, MD, MPH (President and CEO, Management Sciences for Health); David Rochkind, featured photographer
Moderator: Stefanie Friedhoff, Special Projects Manager, Nieman Foundation for Journalism at Harvard
$10 General Public | $5 Members and Students (must present valid membership card or student id)
No charge for members of BU community and students of PRC member institutions >>

Reception immediately following panel in the PRC Gallery, 832 Commonwealth Avenue.

Dominic Chavez, Untitled, 2009-2011.

The PRC’s Global Health in Focus project focuses on three of the greatest health challenges the world community faces today: HIV/AIDS, tuberculosis, and access to clean water. This project aims to educate our New England community about these critical global health issues, utilizing documentary photography to offer direct insight into the individuals and communities affected. The panel discussion, along with the exhibition, will lead to a greater understanding of the challenges and possible solutions to global health problems, particularly the work of Boston-based institutions.

The overarching goal of “Why Global Health Matters” is to bridge the arts, journalism, and medical communities by analyzing the ongoing universal concerns communicated in the exhibition and publication. By organizing and presenting this project, the PRC serves as a resource not only for photographers but for professionals in the healthcare, human rights, and public policy fields, as well as demonstrating the power of the photographic image.

Complimentary copies of the exhibition catalog publication will be given to all attendees at the panel discussion and reception!

More about the exhibition >>
View the Flickr set >>

Jennifer Beard, PhD, MA, MPH
Jennifer Beard has been working in the field of international public health for approximately 8 years. Dr. Beard is an Assistant Professor in the Department of International Health at the Boston University School of Public Health where she directs the writing program and teaches courses in professional and scientific writing. Her research interests include the health and well-being of orphans and vulnerable children in low and middle income countries, the social impacts of HIV/AIDS, and human resource capacity strengthening. Her most recent work looks at the children of sex workers, drug users, and men who have sex with men in low and middle-income countries. She has co-authored academic articles for publication on the household welfare of children orphaned by HIV/AIDS in South Africa, sexual risk behaviors of migrant workers in China, and a literature review on the non-clinical impacts of antiretroviral therapy on quality of life and labor productivity in developing countries. Dr. Beard is currently working with non-governmental organizations in Ukraine, Vietnam, and Zambia to document services they are providing to the children of sex workers and drug users. In addition, she is the PI of an evaluation project assessing the social impact of the Pfizer Global Health Fellows program. She completed PhD in English Literature in 1998 at the University of New Hampshire after receiving an MA from Ohio University in 1991; she received her MPH from BUSPH in 2006. Though her current work is focused on international health, she remains a devoted reader of Victorian novels and is convinced that many of her current research interests have their roots in her passion for Charles Dickens and the Brontë sisters.

Dominic Chavez, featured photographer
Chavez’ photographic career began at age 19 at The Denver Post where he freely explored and interwove creative vision, personal documentary, and photojournalism. Six years later, The Boston Globe brought him east, where he worked until the summer of 2008.

Since 1991, Chavez has covered a wide range of domestic and international issues. He has reported from the front lines of Iraq and Afghanistan to the war-torn streets of Angola. He has recorded the effects of the ongoing drug war in Colombia, and documented many health issues facing the nations of Africa. Presently, he is focusing on global health issues.

Chavez has produced six books: Well Being with Johns Hopkins University, From the Ground Up with the Elizabeth Glaser Pediatric AIDS Foundation, Airborne with the World Health Organization, A Line Drawn in the Sand with Harvard University, Passion Beyond Normal with CGIAR, and AIDS in Nigeria with Harvard University.

Chavez received a Kaiser Family Foundation Media Fellowship in 2007–2008 and has been recognized with many awards. In 2004, he won First Place International in Pictures of the Year International for his work during the Iraq War. Also in 2004, Dominic received the Media Excellence Award by the Global Health Council for his work on the AIDS crisis in Africa. In 2000, he was awarded Photographer of the Year from the Boston Press Photographers Association for his work in Afghanistan, Angola, and Colombia.
More info about Chavez >>

Stefanie Friedhoff (Moderator)
Friedhoff is special projects manager at the Nieman Foundation for Journalism at Harvard University, where she directs a specialized fellowship in Global Health Reporting as well as Nieman’s Trauma Journalism Program. She is also a freelance journalist and science writer for U.S. and European media such as Time (U.S.), Sueddeutsche Zeitung and Folio/Neue Zuercher Zeitung. Friedhoff started a career as a freelance correspondent based in Cambridge, Mass., in 1998. Previously, she worked for BZ, Berlin’s largest daily newspaper, where she was news editor and editor of the Sunday magazine. She was a 2001Nieman Fellow and organized a number of educational workshops and conferences for the foundation before joining the staff part time in 2006.

Jonathan D. Quick, MD, MPH
Dr. Quick, a family physician and health management specialist, is the President and CEO of Management Sciences for Health (MSH). An international non-profit organization with teams in Africa, Asia, and Latin America, MSH builds local capacity to achieve greater health impact through stronger health systems. Dr. Quick was director of Essential Drugs and Medicines Policy at the World Health Organization from 1996 to 2004. Prior to that he served with MSH as founding director of the drug management program/center for pharmaceutical management, then as a long-term advisor for the Afghanistan Health Sector Support Project and the Kenya Health Care Financing Project. Dr. Quick has worked in international health since 1978, and has carried out assignments in over 50 countries in Africa, Asia, Latin America, and the Middle East. He is the senior editor of Managing Drug Supply, co-author of the Financial Times Guide to Executive Health; and has written over 70 other books, articles, and chapters. He is on the faculty of Harvard Medical School Department of Global Health and Social Medicine and Boston University School of Public Health, and is a Fellow of the Royal Society of Medicine. He has a first degree from Harvard University and an MD, with distinction in research, and masters of public health from the University of Rochester.

David Rochkind, featured photographer
Rochkind generally focuses on how social conflict and health issues affect and change the communities where they exist. His major projects have included work on Hugo Chavez’s self-styled Bolivarian Revolution; the Western hemisphere’s most polluted town, La Oroya, Peru; the global tuberculosis epidemic; and Mexico’s drug war.

Rochkind’s work has been published in numerous media outlets, including The New York Times, Stern, Le Monde Magazine, Rolling Stone, Time, Newsweek, and others. He has also done work for a variety of development agencies, including CARE, UNHCR and The Carter Center. He was named one of PDN’s “30 New and Emerging Photographers to Watch,” and he has won awards from the National Press Photographers Association, the Magenta Foundation, the World Health Organization, and the Santa Fe Center Project Competition, among others. His work has been exhibited in the United States and abroad at the Museum of Contemporary Photography (Chicago, IL); Rubin Center for the Visual Arts (El Paso, TX); the Woodrow Wilson International Center for Scholars (Washington, DC); and many others.

For the past three years, Rochkind has worked on projects about the global tuberculosis epidemic with the support of Johns Hopkins University, the World Health Organization and the Pulitzer Center on Crisis Reporting. Rochkind recently developed all of his photography and multimedia work into an interactive educational website and accompanying curriculum for use in high school classrooms. He recently presented this project at a US congressional briefing on tuberculosis and launched the website:

Rochkind graduated from the University of Michigan with a BA in Sociology and speaks fluent Spanish.
More info about Rochkind >>

Peter Vanderwarker: Applied Creativity
Thursday, March 22, 2012, 6:30 pm
BU Photonics Building, Room 206
8 St. Mary’s Street, Boston
$10 General Public | $5 Members and Students (must present valid membership card or student id)
No charge for members of BU community and students of PRC member institutions >>

Peter Vanderwarker, The Big Dig, 1995-2004.

“Making the simple complicated is easy. Making the complicated simple – that’s creativity.” - Charles Mingus

Peter Vanderwarker believes that creativity in photography is a learned skill. His professional work relies on “applied creativity” while his personal work relies on a much more difficult form of “personal creativity.” He is his own worst critic, and he recognizes the struggle we all face when we go to make original work. During his lecture, he will discuss several different projects, his personal process, what it’s like to shoot for a client, and steps to enhance your own projects.

Peter Vanderwarker spends his professional time making powerful photographs for architects, magazine editors, and corporations. He also does personal work and is represented by Gallery NAGA (Boston, MA). His work can be found in the collections of the Museum of Fine Arts, Boston (MA) and the Addison Gallery of American Art (Andover, MA).

View the lecture presentation >>
View the Flickr set >>

NOTE: For people attending Vanderwarker’s related workshop, attendance at this lecture is required. Click here to read more about his workshop >>

Strauch-Mosse Visting Artist Panel Discussion
101 Photographs for Freedom of the Press
Featuring Magnum photojournalists Antoine D’Agata, Thomas Dworzak, and Susan Meiselas, and moderated by Alex Kershaw, author of The Life and TImes of Robert Capa
Thursday, March 29, 2012, 7:00 – 8:30 pm
Washburn Auditorium, Lesley University, 10 Phillips Place, Cambridge
Free Admission

Co-sponsored by The Art Institute of Boston at Lesley University, the Consulate General of France in Boston in collaboration with and Magnum Photos and the Photographic Resource Center

Susan Meiselas. Nicaragua, Esteli, 1979. Copyright © Susan Meiselas / Magnum Photos

The three photographers are internationally recognized documentary photographers associated with the renowned photo agency Magnum.  They will engage in a dialogue about freedom of the press and the current state of contemporary journalism.

This panel discussion is being held in conjunction with the 101 Photographs exhibition at The Art Institute of Boston at Lesley. Magnum photographers have donated images for this exhibition in support of the organization Reporters Sans Frontieres and in recognition of the important work of independent journalists and photojournalists who risk safety, comfort, and their lives to bring the news about events around the world.  The exhibition includes work by Robert Capa, Henri Cartier-Bresson, David Seymour, and many other renowned photographers.

Antoine D'Agata recently photographed the political changes in Libya.  His work consists of a mix of art market and photojournalism with a deeply personal approach.  His latest works were done for the High Commissioner for Refugees, The United Nations. He has published three books of his work and won the prestigious Niepce Prize for young photographers.  He has also created two films:  Le Ventre du Monde and Aka Ana.

Thomas Dworzak covered many crisis in the world: Chechnya, Karabakh, Abkhazia, Kosovo. He also photographed events in Israel, the war in Macedonia, and the refugee crisis in Pakistan. After 9/11, Dworzak spent several months in Afghanistan. Since then he has photographed in Iraq, Iran and Haiti, and covered the revolutions in the former Soviet republics of Georgia, Kyrgyzstan and Ukraine.  

Susan Meiselas is best known for her coverage of the insurrection in Nicaragua and her documentation of human rights issues in Latin America.  She has also covered crisis in Kurdistan and Chile, among others. She has co-directed two films:  Living at Risk: The Story of a Nicaraguan Family (1986) and "Pictures from a Revolution" (1991).  Meiselas has had one-woman exhibitions in Paris, Madrid, Amsterdam, London, Los Angeles, Chicago and New York.  She has received honorary recognition from: the Robert Capa Gold Medal by the Overseas Press Club for her work in Nicaragua (1979), the Maria Moors Cabot Prize from Columbia University for her coverage of Latin America (1994), and, most recently, the Cornell Capa Infinity Award (2005). In 1992, she was named a MacArthur Fellow.


Nathaniel Raymond: War Photography for the 21st Century
Taking satellite images of conflicts in Sudan & Syria
Wednesday, April 18, 2012, 6:30 pm
BU Sargent College, Room 101
635 Commonwealth Ave, Boston

$10 General Public | $5 Members and Students (must present valid membership card or student id)
No charge for members of BU community and students of PRC member institutions >>
Directions & parking info >>

DigitalGlobe image of SAF-Aligned Encampment at Goli, Abyei Region,
March 21-28, 2011. Photograph courtesy of Satellite Sentinel.

Listen to an interview with Nathaniel Raymond on WBUR’s Radio Boston >>

Nathaniel Raymond will discuss the Satellite Sentinel Project (SSP) and its role in monitoring human rights abuses in Sudan by utilizing satellite imaging. Raymond will focus on SSP’s methodology and analyze some of its images, which can often be quite beautiful despite featuring horrific atrocities. Additionally, his talk will outline the relationship between human rights advocacy and photography, and he will provide useful applications from SSP for ground photography.

George Clooney initiated the SSP while on an October 2010 trip to Southern Sudan with Enough Project Co-founder John Prendergast. SSP combines satellite imagery analysis and field reports with Google's Map Maker technology to deter the resumption of war between North and South Sudan. The project provides an early warning system to deter full-scale civil war between Northern and Southern Sudan and to promote greater accountability for mass atrocities by focusing world attention and generating rapid responses on human rights and human security concerns. The Satellite Sentinel Project marks the first sustained, public effort to systematically monitor and report on potential hotspots and threats to security along a border in near real-time (within 24-36 hours), with the aim of heading off humanitarian disaster and human rights crimes before they occur. SSP also aims to detect and deter mass atrocities. To date, SSP has discovered evidence of eight mass graves in Sudan's oil-producing border state of South Kordofan.

Nathaniel A. Raymond is the Director of Operations for Satellite Sentinel Project. He has over a decade of experience as a human rights investigator specializing in civilian protection during complex humanitarian disasters, the treatment of prisoners in national security settings, and crimes of war. Based at the Harvard Humanitarian Initiative, he leads the SSP’s day-to-day collection and analysis of satellite imagery and other information to produce SSP’s reports on the current human security situation in Sudan. Raymond was a 2010 Rockwood Leadership Institute National Security and Human Rights Reform Fellow. From 2002 through 2006, Raymond served in a variety of capacities with Oxfam America, namely as a communications advisor for humanitarian response in Ethiopia, Afghanistan, Sri Lanka, and the Gulf Coast following Hurricane Katrina. He is a 1999 graduate of Drew University with honors in Religious studies and a minor in Asian studies.


Shelby Lee Adams: Salt & Truth
Wednesday, May 2, 2012, 6:30 pm
BU College of General Studies, Room 511
871 Commonwealth Avenue, Boston

$10 General Public | $5 Members and Students (must present valid membership card or student id)
No charge for members of BU community and students of PRC member institutions >>


Shelby Lee Adams will discuss his new book, Salt & Truth, published by Candela Books in October and featured in The New York Times Sunday Review in November 2011. The book is a compilation of black and white photographs predominately made over the last eight years, including ten previously unpublished images that represent an overview of the entire 36 years Adams has continued working within his native community in Eastern Kentucky. His slide presentation will include informal photos made with his friends and subjects as well as quotes and observations made by his people to share with and inform the viewer of his process and the collaborative nature of his work.

Shelby Lee Adams was born in 1950 in Hazard, Kentucky. Since 1974, he has exhibited in numerous solo and group exhibitions internationally, and his photographs are included in more than sixty museum and private collections. Before Salt & Truth in 2011, Adams released three books: Appalachian Portraits with an introduction by Lee Smith in 1993, Appalachian Legacy with text by the author in 1998, and Appalachian Lives with text by Vickie Goldberg in 2003; the University Press of Mississippi published all three books. Adams has received numerous awards throughout his career, most notably a National Endowment for the Arts Fellowship and Survey Grant and the John Simon Guggenheim Photography Fellowship in 2010. In addition, the Polaroid Corporation has continuously collected and published his work internationally.

“My work has strictly followed word of mouth and personal introductions for all these years. However, it is becoming more difficult to find the authentic salt-of-the-earth people, who are now being overrun by a more sugar-coated society. The families who occupied this land for more than a couple hundred years are now interspersed with a new breed of Appalachian and land developers driving Hummers and Escalades, owning oddly shaped swimming pools and mansions built into the mountaintops after the coal is removed and the mountains reclaimed. To go into the woods nowadays can be dangerous and surprising. One has to be watchful not to stumble upon a booby-trapped marijuana field or abandoned meth houses, or be surprised by a bear or a coyote, or even the striking appearance of a wandering, imported elk herd. It is a more varied and diluted world now. Salt preserves wholesomeness and prevents decay, but the people from the earlier, harder-formed age who bear that special look are now in decline.”
- Shelby Lee Adams

View the Flickr set >>

Panel Discussion: Critique and the Creative Process – Photography In and Out of the Academy
Friday, June 8, 2012, 4–6 pm
Fairmont Battery Wharf, Boston

Free and open to the public
More info on the Flash Forward Festival Boston >>


Moderator: Glenn Ruga, Executive Director, PRC
Panelists: Neal Rantoul (Photographer and Emeritus Professor of Photography at
Northeastern University)
, Chehalis Hegner (Photographer and Assistant Professor of Photography at Umass/Lowell), and Bruce Myren (Northeast Regional Chair, Society for Photographic Education)

Join in a lively dialogue investigating the meaningful influence critique can have on the creative process. Topics investigated include: creative mentorships, collaborative partnerships, and the potential benefits of peer, individual, and self-critique sessions. Through honest dialog, the goal of this panel discussion is to arrive at a set of underlying fundamental principles for critiques that will assist in the creative process.
If time allows, there will be a sample critique session.

Chehalis Hegner was born in Chicago in 1961. At age five her family moved to a farm an hour northwest of the city. Her early life was highly impacted by 60's and 70's culture, and included working on her parent's large-scale organic gardening projects and tending the family tree farm. Her mother's involvement in the women's liberation movement and her father's interest in Playboy culture greatly impacted the kinds of questions and images that would emerge years later in her photographic work.

Poet Naomi Shihab Nye writes: "Chehalis Hegner creates mesmerizing combustible windows through which longings, legends, fabulous and slightly ominous possibilities, peek their heads, and wink."

About her art, Hegner writes: "Photography is meaningful to me because it allows me to be a witness. While our society structures life as a fragmented experience, making pictures addresses a basic need of mine to work toward a state of unity. Though I often use props such as wigs or gloves, I am not interested in creating fantasies, per se, except where these enactments help me to behold a larger truth. When an authentic experience of witnessing occurs, there is great purpose in the act of making photographs."

In 2010 Chehalis Hegner received the Gjion Mili Photography Prize (Kosovo.) She has exhibited in solo and group exhibitions in the U.S. and Europe in galleries including The Photographic Resource Center (Boston), The Art Institute of Boston, Maryland Art Place (Baltimore, MD), St. Gauden’s National Historic Site (Cornish, NH), The Cultural Center (Varigotti, Italy), The Interlochen Arts Academy (MI), the MIT Museum in Cambridge, and the National Gallery of Art in Kosovo.

Chehalis Hegner received her MFA in Visual Arts at the Art Institute of Boston in 2005. She is currently a member of the art department faculty at the University of Massachusetts, Lowell. Having an insatiable eye, she works concurrently on multiple portfolio projects. Chehalis volunteers at the Lowell Humane Society; and serves on the board at the Photographic Resource Center on the campus of Boston University.

Bruce Myren is an artist and photographer based in Cambridge, MA. He holds a BFA in photography from Massachusetts College of Art and Design and earned his MFA in studio art, with a concentration on photography, from the University of Connecticut, Storrs in 2009.

Shown nationally and recently featured in Fraction Magazine, Myren has been included in group exhibitions at the Houston Center of Photography, TX and the William Benton Museum of Art, CT, among other venues. His latest solo exhibitions include showings at the Workspace Gallery, NE; the Special Collections Gallery of the Jones Library, MA; the Danforth Museum of Art, MA; and Gallery Kayafas, MA, where he is represented. Myren has presented on panels at the national conferences of the College Art Association and the Society for Photographic Education.

Currently, Myren is a Critic at the Rhode Island School of Design; Adjunct Faculty at the Art Institute of Boston at Lesley University; a Visiting Lecturer of Art at Amherst College; and the Chair of the Northeast Region of the Society for Photographic Education.

In his work, Myren investigates issues of place and space, often via the exploration and employment of various locative systems, either literal or metaphoric. He is most interested in how macro perceptions relate to micro experiences of land and landscape. Myren's recent series include a photographic investigation of the Fortieth Parallel of latitude; a piece documenting the view from every place he has lived to where he lives now; and a study via photographs, audio, and video of the poet Robert Francis’s one-person house in the woods of Amherst, MA.

Glenn Ruga is the Executive Director of the Photographic Resource Center and publisher and interim editor of Loupe magazine. Ruga received a BA from the University of Massachusetts in Social Thought and Political Economy and an MFA from Syracuse University in Graphic and Advertising Design. In 1984, he started Visual Communications, a graphic design firm working primarily with non-profit organizations. From 1993-2009 Ruga was the volunteer Executive Director of the Center for Balkan Development. In 2008 he founded, a website for documentary photographers to create online galleries of their work. Ruga has produced four traveling documentary photography exhibits, two of which were based on his work in the former Yugoslavia. In March 2012, Ruga was selected as a curator of the 2012 New York Photo Festival.

Neal Rantoul is a career artist and teacher. He has taught photography since 1971. He is past head of the Photography Program at Northeastern University, is a professor emeritus, and taught for thirteen years at Harvard University as well as several years at the New England School of Photography. He retired from Northeastern in January 2012. Rantoul has work in numerous public and private collections, including the Museum of Fine Arts (Boston); the DeCordova Sculpture Sculpture Park and Museum (Lincoln, MA); the Fogg Art Museum (Cambridge, MA); the High Museum (Atlanta, GA); the Kunsthaus (Zurich, Switzerland); the Center for Creative Photography (Tucson, AZ); and Princeton University (NJ). He is the recipient of many awards and grants, including a Whiting Foundation Fellowship; a Lightwork residency (Syracuse, NY); RSDF, FDP and IDF grants from Northeastern University; and he was a finalist twice for the Massachusetts Cultural Council award. Rantoul is a member of the Board of Directors of the PRC and is on the Board of Corporators at the Griffin Museum of Photography. He is an active exhibitor, workshop leader, portfolio reviewer, and consultant.

Flash Forward Festival Boston is organized by the Magenta Foundation

Your Guide to Art School Critiques
by Karen Kavett

Henry Horenstein: Honky Tonk
Tuesday, September 18, 2012, 6:30 pm
BU Kenmore Classroom Building, Room 101, 565 Commonwealth Avenue, Boston, MA
$10 General Public | $5 PRC members
No charge for members of BU community and students of PRC member institutions >>


Henry Horenstein will present a retrospective view of his forty year career on the occasion of the reissue of his book HONKY TONK and the accompanying exhibit at Carroll & Sons Gallery this fall. HONKY TONK, also a featured exhibition at the PRC in 2004, is one of over thirty books authored by Horenstein. Previous published works include Show, Close Relations, Humans, Animalia, and many popular instructional books, including Black & White Photography, Digital Photography, and Beyond Basic Photography.

Henry Horenstein began adulthood as a budding historian, studying at the University of Chicago and the University of Warwick. At Warwick, historian E.P. Thompson taught him that the "righteous duty" of the historian is to document the people and places that would otherwise disappear. He took that lesson with him as he transitioned to documentary photography, becoming a historian with a camera of sorts. Horenstein is professor of photography at Rhode Island School of Design.

Copies of HONKY TONK will be available for purchase online (for pick up only) and at the lecture, and a book signing with Horenstein will take place after the lecture.

View the Flickr set >>

Ernesto Bazan: Bazan Cuba
Wednesday, October 24, 2012, 6:30 pm
BU College of Arts & Sciences, Room 522, 705 Commonwealth Avenue, Boston, MA
$10 General Public | $5 PRC members
No charge for members of BU community and students of PRC member institutions >>

Directions and parking info >>


Ernesto Bazan will discuss his award-winning Bazan Cuba, a book of black-and-white photography set in Cuba, where he lived, taught, and raised a family for more than fourteen years during the Special Period. Cuba’s Special Period was marked by the withdrawal of Soviet support and its resulting severe hunger and economic deprivation. He will also discuss Al Campo, the sequel and counterpoint to Bazan Cuba, featuring searing yet intimate color photos grounded in the Cuban countryside, where he lived and shot among the farmers for five years. The resulting images resound with a singular, insider’s point of view and unprecedented access for a photographer in Cuba. Bazan’s work on the island has garnered him photography’s highest honor, the W. Eugene Smith Award, as well as a World Press award, a Guggenheim fellowship, and a grant from Mother Jones.
After speaking, Bazan will show two multi-media presentations directed by Juan de la Cruz based on his books.

Both Bazan Cuba (Spanish version) and Al Campo (English version) will be available for purchase during online registration or at the lecture. We will also have limited copies for sale of the English version of Bazan Cuba, which became a collector’s item over a year ago. Very few copies remain for sale, so purchase yours today! Bazan will sign books after his talk.

Ernesto Bazan was born in Palermo, Italy in 1959. He received his first camera when he was 14 years old and began photographing daily life in his native city and in the rural areas of Sicily. Photography has been more than a profession: a true passion, a mission in his life. Bazan has published several books: The Perpetual Past, Passing Through, The First Twenty Years, Island, and Molo Nord. He has had exhibitions in Europe, Latin America, and the United States. His photographs have been collected by institutions such as the Museum of Modern Art and the International Center of Photography in New York; SFMOMA in San Francisco; the Museum of Fine Arts, Houston; the Center for Documentary Studies at Duke University; the South East Museum of Photography in Daytona, FL; the Fondazione Italiana della Fotografia in Turin, Italy; the Biblioteque Nationale in Paris, France; and the Musee Rattau in Arles, France. In 2002, Bazan created his own photographic workshops providing special emphasis on Latin America. Several hundred students have studied with him in the last six years. He currently lives in Veracruz, Mexico.

Read an interview with Bazan on ASX >>

View the Flickr set >>

Sam Watters: Gardens for a Beautiful America
Photographs by Frances Benjamin Johnston
Monday, October 29, 2012 - CANCELLED DUE TO THE HURRICANE
Arnold Arboretum of Harvard University
MORNING LECTURE ONLY - 10:00 – 11:30 am, Weld Hill Research Building, 1300 Centre Street, Roslindale
Note: Optional tours of the Weld Hill Research Building will be available at 9:30 am for those registered for the morning lecture.
Fee: before October 15: $20 | after October 15: $25

Co-sponsors: Arnold Arboretum of Harvard University, Friends of Wellesley College Botanic Gardens, Garden Club of the Back Bay, The Garden Conservancy

Frances Benjamin Johnston, Weld, Larz Anderson house,
151 Newton Street, Brookline, Massachusetts.

At the opening of the 20th century, photographer Frances Benjamin Johnston (1864-1952) was front and center in the national movement to beautify America. Gilded Age industrialism had brought a new prosperity to life in the 48 states, but at the price of once-green city streets and country back yards. In response, civic organizations and women’s clubs initiated the Garden Beautiful movement. To promote professional landscape design and horticultural diversity, they turned to Johnston, a pioneering “house and garden” photojournalist and lecturer who travelled coast to coast photographing estate parterres and row house lots as models of new design. With colored slides from Johnston’s own collection, preserved at the Library of Congress since the 1940s, historian Sam Watters will speak about the photographer’s role as documentarian, fine artist and garden club prophet of beauty.

Over the course of five years, historian Sam Watters scanned through millions of books and magazines to match Johnston’s unlabeled garden slides to the sites they depicted, bringing them to light again after more than 70 years, and showing them as a collection of significance in Gardens for a Beautiful America. He writes and lectures about American house and garden culture.

Platon: Facing Power
Wednesday, December 5, 2012, 6:30 pm
BU Kenmore Classroom Building, Room 101, 565 Commonwealth Avenue, Boston, MA
$10 General Public | $5 PRC members
No charge for members of BU community and students of PRC member institutions >>

Directions and parking info >>

Platon, From Heroes of the Egyptian Revolution. Ramy Essam became famous as “the Singer of the Revolution.” He was tortured by soldiers after Mubarak fell.

In this lecture, photographer Platon will share his experience photographing an eclectic mix of subjects from cultural icons to politicians, world leaders, change makers, and human rights activists, as well as his award winning portfolios for The New Yorker. He will focus on his recent collaborations with the Human Rights Watch and will discuss highlights from his 'Burmese Defenders' project, his portfolio on the Egyptian Revolution, and the lasting impact of his trip to Russia to photograph civil society in the wake of the 20 year anniversary of the fall of the Soviet Union.

Copies of Power will be available for purchase online (for pick up only) and at the lecture, and a book signing with Platon will take place after the lecture.

Born in London in 1968, Platon was raised in the Greek Isles until his family returned to England in the 1970s. He attended St. Martin's School of Art, and after receiving his BA with honors in Graphic Design, he went on to receive an MA in Photography and Fine Art at the Royal College of Art. After working for British Vogue for several years, he was invited to New York to work for the late John Kennedy Jr. and his political magazine, George. While shooting portraits for a range of international publications including Rolling Stone, The New York Times Magazine, Vanity Fair, Esquire, GQ and W, Platon developed a relationship with Time Magazine, producing over twenty covers. In 2007 Platon photographed Russian Premier Vladimir Putin for Time Magazine's Person Of The Year Cover. This image was awarded 1st prize at the World Press Photo Contest. In 2008 he signed a multi-year contract with The New Yorker. As the staff photographer, he has produced a series of large-scale photo essays, two of which won ASME Awards in 2009 and 2010. Platon's The New Yorker portfolios have focused on many themes including President Obama's inauguration, the United States military, portraits of world leaders, and the Civil Rights Movement. The following year, Platon teamed up with the Human Rights Watch to help them celebrate those who fight for equality and justice in countries suppressed by political forces. These projects have highlighted human rights defenders from Burma as well as the leaders of the Egyptian revolution. Following his coverage of Burma, Platon photographed Aung San Suu Kyi for the cover of Time, days after her release from house arrest.

Platon's first monograph, Platon's Republic, was published in 2004 by Phaidon Press. To coincide with its publication, the work was exhibited internationally, in London at the ex-Saatchi Gallery as well as the Milk Gallery in New York. His second book, Power--a collection of portraits of over 100 world leaders--was published in 2011 by Chronicle and following its success was selected by Apple to be released as an app. In recent years, public speaking has progressively played a major role in Platon's career as communicator and storyteller. He has been invited to be a keynote speaker at the World Economic Forum in Davos, Yale, the London School of Economics, the National Portrait Gallery in London and the International Center of Photography in New York. He has also appeared on a range of television media including Charlie Rose (PBS), Morning Joe (MSNBC), Fareed Zakaria's GPS (CNN), the BBC Culture Show and the BBC World News. In 2011, his work was exhibited in New York at the Matthew Marks Gallery and the Howard Greenberg Gallery. The New York Historical Society also exhibited a solo show of Platon's civil rights photographs, which remain as part of the museum's permanent collection. In 2012 Platon’s world leaders portraits were exhibited at the Saatchi Gallery in London and at the Westlicht museum in Vienna. Platon's advertising credits include the United Nations Foundation, Credit Suisse Bank, Exxon Mobil, Diesel, the Wall Street Journal, Motorola, Nike, Converse, Verizon, Vittel, Levi's, IBM, Rolex, Ray-Ban, Tanqueray, Kenneth Cole, Issey Miyake, Moschino, Timex and Bertelsmann among others.

Platon lives in New York with his wife, daughter, and son.

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