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New England Portfolio Reviews 2022

    New England Portfolio Reviews ONLINE
    March 11-13, 2022, 9am-5pm, both days
    Friday, March 11, 7–8pm, Keynote Lecture with Meghann Riepenhoff

    Meghann Riepenhoff, Littoral Drift #1170 (Polyptych, Great Salt Lake, UT 08.25.18, Lapping Waves at Shoreline of Antelope Island), cyanotypes, 2018.

    Keynote Event with
    Meghann Riepenhoff
    Friday March 11th at 7pm

    The PRC and the Griffin Museum of Photography are thrilled to host creative artist Meghann Riepenhoff as our keynote speaker for our 2022 online New England Portfolio Reviews. Join us for a special evening with the artist following her journey as an artist, her current work and what is next for this rising star.

    Since 2009 NEPR has been co-produced by the Griffin Museum of Photography and the PRC with the mission of bringing reviewers and photographers together from New England and beyond for two days of discussion, networking, and gaining fresh perspective on one’s work. We are especially pleased to welcome students from seven schools throughout the Commonwealth, who have been selected for the 2022 NEPR Student Scholarship Awards, plus the winners of the John Chervinsky award and the winner of the Lenscratch student prize:
    Jack Isacke, Emerson College
    Madison Durfee, Endicott College
    Jake Benzinger, Lesley University College of Art & Design
    Maggie Lu, MassArt Foundation
    Aubrey Greenawalt, Rhode Island School of Design
    Collin Serigne, School of the Museum of Fine Arts (Tufts University)
    Hannah Dong, Wellesley College
    Justin Michael Emmanuel, John Chervinsky award winner
    Allie Tsubota, Lenscratch student prize winner
    Click HERE to see their work.
    We thank Joni & Mark Lohr and Larry Smukler for their sponsorship of our Scholarship Award Participants.

    NEPR serves photographers who are just embarking on their careers, and more established photographers, all hoping to reach new audiences and gain fresh perspective on their work. The online format allows for an expansion of participants in volume and in location including reviewers such as gallerists, book publishers, museum professionals, critics, educators and advisors from all over the world who provide guidance and potential opportunities to grow artist practices.

    Thank you to our generous sponsors: